Film is a form of magic

Digital Compositor
Editing, Motion Graphics, Direction, Camera

25 professional experience in feature film,

corporate, documentary, music video and commercials

Response within an hour

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Main credits

MAIN CREDITS

-Pirates in an adventure with scientists

-10,000 B.C.

-Seed of Chucky

-Derailed

-White nose

-An american haunting

-Stormhouse

-Green Paradise

-El loco de la catedral

-El color de la Tierra

Efficiency

High-end

Every pixel matters

Custom pipelines

Passion for film and its magic

Every major project usually involves new methods and solutions.

VFX

From my work at GMJ in London on architectural visualization— including several projects for Norman Foster— I got my start in Digital Compositing. From there, I moved into film.

Editing

My work at GMJ in London on architectural visualization—including several projects for Norman Foster—led me into Digital Compositing. From there, I transitioned into film.

I’ve worked with top brands and designers, as well as independent productions. I can bring any concept to life with efficiency and consistency.

Motion Graphics

Philosophy

Understanding the edi helps the Digital Compositor place each shot in context. And the Compositor needs to grasp the production's goal for every single shot in every scene where VFX are needed. The focus ranges from the broader scene context all the way down to the last pixel of each shot — frame by frame.

Since any shot can be endlessly magical but production time is finite, one of the coolest things about VFX is how it pushes you to find custom solutions to specific problems — which is pure engineering, under tight deadlines. I’m also into designing processes that automate particular tasks the production needs done.

But above all, what really drives me is the journey — the creative collaboration of a whole bunch of artists working together to make that journey, that film, look as visually incredible as it can.